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Formal Education

B.A. Art, Guilford College, 2015.

Exhibited Work

2020

Perfect Knowledge of the Ground | Washington Project for the Arts, Washington DC

2019

Natura Naturans | Washington Project for the Arts, Washington, DC

Transformer’s 16th Annual Silent Auction and Benefit | Katzen Arts Center, Washington DC

2018

Land/Trust | Meyerhoff Gallery, Maryland Institute College of Art, Baltimore, MD

Fight Toxic Prisons Convergence | University of Pittsburgh School of Law, Pittsburgh, PA

Nydorf’s Gift: Guilford Printmakers 1978-2018 | Founders Gallery, Greensboro, NC

2017

ARTINA: (Re)Use and Abuse of the Land | Sandy Spring Museum, Sandy Spring, MD

Creative Corridor: Artists of the Gateway Arts District | Marlboro Gallery, Prince George’s  

Community College, Largo, MD

Transformer’s 14th Annual Silent Auction and Benefit | Katzen Arts Center, Washington DC

2016

Homegrown Talent | District Clay Center Gallery, Washington, DC

Transmogrify | Center for Visual Arts, Greensboro, NC

2015

PITH | Guilford College Senior Art Thesis Exhibition, Founders Gallery, Greensboro, NC

 

 Speaking

Ceramics School Resident Artist Talk, Ceramics School, Detroit, MI, May 2021

”Material Mnemonics for Environmental Justice”

Lecture and Workshop, Virginia Environmental Justice Summit, Virtual, March 27, 2021

Haunted Ground: Slavery, Trash, Soil, and the Logics of Ecological Destruction” Lecture and Workshop, Washington Project for the

Arts, Washington, DC, September 2019

“Fieldwork: Relationships and Responsibilities to the Land”

Roundtable, Maryland Institute College of Art, Baltimore, MD, January 2018

“Public Soil Memory for the Plantationocene”

39th St Gallery, Brentwood, MD, September 2017

“Beside Paranoia: An Exploration of the Dan River Coal Ash”

      Guilford Undergraduate Symposium, Greensboro, NC, May 2015

“Reciprocity, Respect, and the New Doctrine of Discovery: Grounding the Ethics of Traditional Healing Knowledge”

Hege Library, Greensboro, NC, August 2014

Writing

“How the Soil Remembers Plantation Slavery,” co-authored with Bii Robertson for Edge Effects Magazine, March 2018

Writing and Research Support for Artist Mother Studio at the Washington Project for the Arts, Fall 2018

Teaching 

Ceramics Instructor, Capitol Hill Arts Workshop, September 2019-present

Guitar Instructor, Girls Rock Camp DC, July 2018

Band Coach (Collaboration Facilitator), Girls Rock Camp DC, June 2017

Glaze Techniques: Spray Booth Workshop, District Clay Center, March 2016

Shop Assistant, Wood and Metal Shop, Guilford College, Professor Mark Dixon, 2014

Teaching Assistant, "Sound, Art, Noise", Guilford College, Professor Mark Dixon, 2013

Collections

"Trash Cup IV," trash incinerator ash on porcelain, Great Cups Collection, District Clay Center, Washington, D.C.

"Broody Summer," 40''x 20'' relief print in Transmogrify Print Portfolio curated by Jack Arthur Wood Jr, Robert C. Ketner Vitrines, Hege Library, Guilford College, Greensboro, NC

 

In the Media

Transcorporeal Trash Communion in Transformations Journal Issue 33 Spring 2020

Ultra Beauty in the Washington Post, Pitchfork, Stereogum, and Stereogum

ARTINA 2017 Review in Washington Post